Giorgione

obiography, and where, as in Giorgione's case, so little historical or documentary record exists, such indications of character as may be gleaned from a study of his life's work become of the utmost value. Le style c'est I'homme is a saying eminently applicable in cases where, as with Giorgione, the personal element is strongly marked. The subject, as we have seen over and over again, is so highly charged with the artist's mood, with his individual feelings and emotions, that it becomes unrecognisable as mere illustration, and the work passes by virtue of sheer inspiration into the higher realms of creative art. Such fusion of personality and subject is the characteristic of lyrical art, and in this domain Giorgione is a supreme master. His genius, as Morelli rightly pointed out, is essentially lyrical in contradistinction to Titian's, which is essentially dramatic. Take the epithets that we have constantly applied to his pictures in the course of our survey, and see how theybear out this statement?epithets such as romantic, fantastic, picturesque, gay, or again, delicate, refined, sensitive, serene, and the like; these bear witness to qualities of mind where the keynote is invariably exquisite feeling. Giorgione was, in fact, what is commonly called a poet-painter, gifted with the artistic temperament to an extraordinary degree, essentially impulsive, a man of moods. It is inevitable that such a man produces work of varying merit; inequality must be a characteristi...